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2006年10月英国The Times对曼切斯特演唱会给四星评价
泰晤士报2006年10月20日Keane 曼彻斯特 阿波罗剧院Pete Paphides4/5 Roy Keane在曼彻斯特是一个家喻户晓的名字,当Tom Chaplin还是一个小男孩的时候,曼彻斯特人就高喊欢呼着“KEANO”这个名字。而今晚,这个名字有了新归属。“他(Roy Keane)已经退休了,但我想我们可以将这个称号延续下去”Tom笑着说。 这是Chaplin自The Priory酒精药物治疗所里接受6个月的疗程后的第二次登台演出。他可没有打算隐瞒他有多么想念这份工作。在激情满溢地唱完“Better Put it Behind You”后,他大声召唤观众,示意他有多想念他们:“我想要被爱的感觉”。 似乎每次他的发言都会包含有新的含义。即使是在Under the Iron Sea专辑前发售的单曲也没能免于这种情感修正的命运。2004年时这个来自苏塞克斯的三人乐队还一文不名,在低谷时,他们推出了单曲“Everybody’s Changing”,也即意味着他们今后将无数次地来表演这首作品。 如果这个乐队把大部分时间都花在内部矛盾上的话,那他们恐怕没有什么是可以让我们惊奇的了。然而如今主要曲作者Tim Rice-Oxley依旧重力敲打着他的键盘(从远处看,他好像是在徒手弄嫩牛排),而Chaplin依旧担当着沟通歌曲和听众的主要纽带的角色。 Rice-Oxley所作的有关战争而令人悲伤的作品,A Bad Dream恐怕很好地勾勒出了深沉自省的作曲者(Tim Rice-Oxley)和表现欲望强烈的主唱(Tom Chaplin)之间相互依赖的关系。当带着防毒面具的舞蹈演员在Chaplin前跳舞时,他跪倒在舞台上尽情地释放感情,给这首歌增添了令人毛骨悚然的效果。 这三年来经常有人说这个乐队是在模仿Coldplay,但主唱并没有受到这种诽谤的干扰,反而抱起空心吉他装作Chris Martin来了一小段“Yellow”。当然为了防止在曼彻斯特引起不必要的麻烦,他马上又演奏了“Your Eyes Open”,并且煽动听众和他一起唱,这样反而更好地“掩盖我那令人震惊的吉他表演”。 其实他不用担心。Keane的歌迷唱得和Chaplin弹吉他一样好,当然,这是将他们作为外行人的角度来说的。实际上,在唱到Somewhere Only We Know的时候,Tom已经显得多余。当台上台下合唱这首乐队的出道歌曲时,它听上去就好像是卫理公会教派的圣歌。Tom的康复疗程可能已经结束,但是整个乐队的疗程还将日以继夜地进行下去。 翻译:...
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2006年8月the Times报道:Tom Chaplin: 好男孩为名利付出代价

2008-07-26 评论报道 enchinya

The Times August 23, 2006

Times2

The face
Penny Wark

TOM CHAPLIN: Nice guy pays the price of fame

Exhaustion was never a convincing euphemism for rock star excess and now the rumours have been confirmed: Tom Chaplin, the lead singer of Keane, does indeed have a problem with drink and drugs, and that’s why he is holed up in The Priory. But while his confession will please those who always thought the band too inoffensive to be true, the majority will wish this nice boy well.

You could say that Chaplin and his public-school chums were never going to cut it as rock musicians by being earnest and honest and drinking camomile tea. But if Chaplin, Richard Hughes and Tim Rice-Oxley were the mild men of rock, it was because they were being themselves: sensitive, polite middle-class boys who have favourite biscuits and saw no reason to morph into monsters. So during their two years of full-on fame, commentators have noted their Christian goodness and a resemblance to geography teachers. Judge us by our music, the boys said, and people did, applauding the integrity, honesty and intelligence of the lyrics. Hell, they even named the band after Chaplin’s nanny.

Chaplin, he of the cherubic face and nectar-sweet voice, comes from a stable family in Battle, East Sussex, where he met Hughes and Rice-Oxley at junior school. His parents were teachers known for their good works, but Chaplin eschewed university in favour of music and so began a lengthy footslogging apprenticeship. This ended when Keane’s first album, Hopes and Fears, entered the UK chart at No 1 and sold five million copies. They celebrated with a picnic on Hampstead Heath, and went on to support U2, tour in the US, play the main stage at Glastonbury and pick up a couple of Brits.

Throughout it all, Chaplin’s affable but undemonstrative charm engaged, and at Live8 he spoke about bumping into Sir Paul Mc-Cartney and being starstruck. He may have been gauche but he was genuine and the marketing people had no complaints, though they might have noted the comment from Chaplin that there was nothing mundane about their lives any more.

The tone shifted more explicitly this year with the release of their second album, Under the Iron Sea, when it was obvious that the lyrics referred to rifts in the band and times that were less than harmonious. But if the schedule was gruelling, well, that’s what happens when rock stars tour, even when they don’t play it the conventionally hedonistic way.

Actually, at 27, Chaplin owns a Ferrari, so he is hardly immune to the perks of his status. And now that he has fallen into the abyss said to await all rock stars, we can only hope that he climbs out swiftly and reminds himself of the joys of caramel digestives.

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