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2006年Jane Magazine对Richard的采访
对我来说,这有点像是美梦成真的感觉,就是采访近几年来我最爱的乐队之一:Keane的鼓手Richard。在6-7月刊号上有我对他们最新专辑做的评论(第40页)。现在废话少说,以下就是我和Richard的一部分对话。——Brekke Jane: 我很喜欢”Hopes and Fears”。你们是抱着怎样的目标而走入录音室录制”Under the Iron Sea”的呢?Richard: 在这个过程中我们都有点发疯。我们在组团的初衷和为什么走到一起成为朋友这点上迷失了方向。我们没有去考虑将要在录音室里干些什么,因为我们根本就没有概念是否还会制作下一张专辑,或者说我们是否还能在一起组成1支乐队。所以,那时我们的心思都花在那些事上面,而不是什么是否应该在”Crystal Ball”第二次合唱部分配上曼陀林琴。 Jane: 就是“是想杀了他,还是想和他一起作专辑”那样的感觉么?Richard: 呃,就是这样。我想我们都是典型的男人,不擅长交流这方面的话题,幸运的是,我们还在同一个乐队里,还能将这些问题用我们的歌曲表达出来,而这也正是我们的作品。 Jane: 对你而言,哪首歌最特别?Richard: “A Bad Dream”对我来说十分特别。这首歌的灵感取自W.B. Yeats①的一首名为”An Irish Airman Foresees His Death” 的诗。它从一个士兵的视角出发,当他从空中俯视敌人防线时想:“我不痛恨底下所谓的敌人,我也并没有热爱我正试图保护的人们。那为什么我会在这里?究竟发生了什么事情?我却可能会因为这些该死的自己都搞不明白的事情而死!”这首诗的启发意义直到现在都很大。 Jane: 听上去真不错。你们是在哪里录制专辑的呢?Richard: 我们在苏塞克斯郡东郊的Heliocentric录音室,也就是我们制作第一张专辑的地方录制了一部分。在纽约市休南区的Magic Shop录音室里也录了一些。我们喜欢纽约,在那里做了好几次演出。我们在那里过得很开心,因为晚上我们和U2一起在麦迪逊广场花园进行了演出。 Jane: 那一定是一次令人难忘的经历吧。Richard: 是的,白天录音,晚上和U2同台演出。随着时间推移,这势必成为我们美好的回忆。这是一支让人感到惊异的乐队,队员也很令人惊异。他们向我们提供了许多有益的建议。 Jane: 那在路上的18个月中幸存后,你们一定非常渴望得到些建议吧,所幸你们还在一起谱写自己的传奇。Richard: 恩,我们刚刚从灾难中幸存过来。Bono建议我们制作第二张专辑,这让我们感到非常兴奋。他告诉我们说,整张专辑所散发的氛围非常重要,要花心思在安排专辑曲目的顺序上,确保作品的完整性,这样听完整张专辑就好像进行了一段旅程一样。他教我们如何制作出很棒的专辑,对我们很坦率,我们对此很感激。...
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Keane中文站

Keane Chinese Fansite

2008年官网的乐队背景资料

2010-03-5 新闻报道 enchinya

Great hooks, big choruses and massive middle eights come as a factory setting with Keane, of course, something that’s meant that, previously, Rice-Oxley’s lyrics have sometimes perhaps not been given the attention they deserve. That’s unlikely to prove the case with Perfect Symmetry, which features his most direct, unambiguous and, yes, best words to date. Whether on train-of-thought, Pygmalion-inspired Spiralling, broadside on fame-for-fame’s-sake Better Than This or the title track Perfect Symmetry which brilliantly takes as its theme the futile distractions of the human race (“I think it might be the best song I’ve ever written” says Rice-Oxley, here Big Ideas are never sacrificed on the altar of great tunes.

“I love Better Than This,” agrees Chaplin. “Sonically it’s a big departure, but lyrically, being about the state of ‘celebrity culture’… people see it as such an important thing and pin so much hope on it. Certainly, in my opinion, the fame and celebrity side of things is something I find hard to reconcile. I’d much rather it was just about the music; the reason we got into the band in the first place. It wasn’t to get rich or become famous or to get girls – it was to be out there singing. That magic connection between you and a crowd of people who have turned up to pour everything out, like you have… that coming together is the biggest buzz in my life.”

***

So that’s Keane in 2008: the big gigs, big chart success and big awards we know about; now here’s the album of their career. A big, bold, shiny pop monster that’s as likely to appeal to hearts and minds as it is to feet.

“Because we nearly lost it all, we nearly lost the band and we could have gone our separate ways,” says Chaplin, “we had this reinvention as people. You know, ‘We might not have this, so we might as well enjoy it’. That affected everything that we did with this album.”

No wonder it starts with an ‘Oooh!’

KEANE are:

Tom Chaplin – vocals, etc.
Richard Hughes – drums, etc.
Tim Rice-Oxley – piano, etc.

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